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Sacred Concert · Stabat Mater | Pergolesi


  • 10 June, 11:00


ANTONIO VIVALDI Nisi Dominus, RV 608 (1713–1717) after psalm 126 for contralto, strings and basso continuo

ANTONIO VIVALDI Concerto for violin, strings and cembalo in D, RV 208 – “Grosso Mogul” (around 1710)


Print programme (PDF)


Andrés Gabetta, Conductor/Violin
Cecilia Bartoli, Mezzo-soprano
Franco Fagioli, Countertenor
Cappella Gabetta


In 1735, a young but extraordinarily successful opera composer (with both comic and serious works to his name) had to break off his career after only four years in order to convalesce. He withdrew from Naples to the nearby spa town of Pozzuoli, but to no avail: a few months later, in March 1736, Giovanni Battista Pergolesi died there of tuberculosis aged only 26. Composed in the Franciscan monastery where he would later be buried, the famous Stabat Mater is considered his swan song. The work, which sets a medieval poem depicting the suffering of the Virgin Mary during the crucifixion of Jesus for the ethereal voices of two castratos, grew to be a frequently reprinted classic on account of its moving simplicity and the immediacy of its emotional expression, which at the time was novel and bold. With his melodic gifts, Pergolesi developed a cult following that led to innumerable counterfeit works, and the facts and fictions of his short biography, as well as genuine and misattributed compositions, could only be separated in the 20th century. The fascinating allure of Pergolesi’s Stabat Mater, however, remains unbroken: two angelic voices bring its score to life – in memory of the ‘angelico maestro’, an admiring moniker later bestowed on the composer by Vincenzo Bellini.

Der purpurfarbene Fink, Farbstich von Johann Michael Seligmann nach George Edwards. , © Private Collection/Purix Verlag Volker Christen/Bridgeman Images.


The events for Whitsun 2019 can already be purchased online as subscriptions. Individual tickets are available online from October 15, 2018.

Download: Programme Folder Salzburg Whitsun Festival 2019