FRANZ SCHUBERT Der Alpenjäger, D. 524
FRANZ SCHUBERT La Pastorella al prato, D. 528
FRANZ SCHUBERT La Pastorella al prato, D. 513
FRANZ SCHUBERT Ständchen, D. 920
FRANZ SCHUBERT Das Wandern, D. 795, Op. 25 No. 1 – poem by Wilhelm Müller
FRANZ SCHUBERT Der Neugierige, Op. 25 No. 6, D. 795 – poem by Wilhelm Müller
FRANZ SCHUBERT Ungeduld, Op. 25 No. 7, D. 795/7 – poem by Wilhelm Müller
FRANZ SCHUBERT Widerspruch D. 865
FRANZ SCHUBERT Gondelfahrer, D. 808
FRANZ SCHUBERT Die Nachtigall, D. 724
FRANZ SCHUBERT Nachthelle, D. 892
FRANZ SCHUBERT Da quel sembiante appresi, D. 688/3
FRANZ SCHUBERT Mio ben recordati, D. 688/4
FRANZ SCHUBERT Se dall'etra (Im Haine), D. 738
FRANZ SCHUBERT Nachtgesang im Walde, D. 913
FRANZ SCHUBERT Der Schiffer, Op. 21 No. 2, D. 536 – poem by Johann Baptist Mayrhofer
FRANZ SCHUBERT Erlkönig, Op. 1, D. 328 – poem by Johann Wolfgang von Goethe
FRANZ SCHUBERT Gesang der Geister über den Wassern, D. 714
FRANZ SCHUBERT Vedi quanto adoro, D. 510
During the Biedermeier era, people sought shelter from the disruptions and divisiveness of their times in the comfort of their private world. For Franz Schubert, his circle of friends was the first audience and addressee for his music – a group of willing, but also competent friends to whom he could introduce his compositions and who also stimulated him to produce further works. The “Schubertiaden”, musical soirees or private concerts in a cultivated yet relaxed atmosphere featuring almost exclusively professional performers, were particularly popular. Apart from Schubert’s songs, piano works and chamber music for smaller formations were often performed.